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Inside the Stalin Archives: Discovering the New Russia | 
 enlarge | Author: Jonathan Brent
Publisher: Atlas & Co.
Category: Book
List Price: $26.00
Buy New: $10.90
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Rating:  1 reviews
Sales Rank: 70148
Media: Hardcover
Number Of Items: 1
Pages: 304
Shipping Weight (lbs): 1
Dimensions (in): 7.2 x 5.4 x 1.3
ISBN: 0977743330
Dewey Decimal Number: 947.086
EAN: 9780977743339
ASIN: 0977743330
Publication Date: November 3, 2008
Availability: Usually ships in 1-2 business days
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Product Description
From the first publisher granted access to Stalin's personal archive, a provocative and insightful portrait of modern Russia—the most compelling since David Remnick's Lenin's Tomb.
To most Americans, Russia remains as enigmatic today as it was during the Iron Curtain era. With the collapse of the Soviet Union, the country had an opportunity to face its tortured past. In Inside the Stalin Archives, Jonathan Brent asks, why didn't this happen? Why are the anti-Semitic Protocols of Zion sold openly in the lobby of the State Duma? Why are archivists under surveillance and phones still tapped? Why does Stalin, a man responsible for the deaths of millions of his own people, remain popular enough to appear on boxes of chocolate sold in Moscow's airport?
Brent draws on fifteen years of unprecedented access to high-level Soviet Archives to answer these questions. He shows us a Russia where, in 1992, used toothbrushes were sold on the sidewalks, while now shops are filled with luxury goods and the streets are jammed with Mercedes. Stalin's specter hovers throughout, and in the book's crescendo Brent takes us deep into the dictator's personal papers to glimpse the dark heart of the new Russia. Both cultural history and personal memoir, Inside the Stalin Archives is a deeply felt and vivid portrait of Russia in the twenty-first century.
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History in the making: how scholars pried open Soviet-era archives January 5, 2009
"Every student can recite Pushkin by heart in this shitty country but there are no jobs, there is no future here."
That's the bitter reaction of Olga, a young Russian woman after discovering that a neighbor - a classically-trained ballet dancer - is performing in a cabaret that is really a strip club. It is against that kind of backdrop that Jonathan Brent is trying to obtain access to Russia's Soviet-era archives (assisted by Olga, a translator). Russians like Olga, hungry for stability and prosperity and nostalgic for past glories, are finding a new allure in the idea of a totalitarian state; communism, Brent writes, may be dead, but not the idea of an all-powerful state unconstrained by the rule of law. Will publishing crucial records of Stalin's days, when state oppression reached surreal levels, make Olga and her peers aware of the dangers of that kind of nostalgia?
The title of this fascinating book is actually somewhat misleading. Rather than a straightforward recitation of of what Brent, the editorial director of the Yale University Press, unearths within the archives, it sets some such revelations in the much broader and fascinating chronicle of his experiences trying to win and maintain access to those records, of his relationships and discussions with Russian archivists. Brent also incorporates his personal observations of the changes that take place within Russia over the 15 years that he spends shuttling back and forth between New England and Moscow as he battles to publish a series of scholarly books based on the Soviet archives addressing questions such as who orchestrated and controlled the Great Terror of the 1930s; whether the US Communist Party engaged in espionage; the real role of the Soviet Union in the Spanish Civil War and the truth about the Katyn massacre of Polish officers during World War II.
Brent's first trip to Russia takes place in the winter of 1992, when he arrives hoping to persuade the archivists to strike a publishing deal with the Yale press rather than a British or German Rival. Once that is finally accomplished (with a lot of negotiating and a lot of vodka) some former Soviet policymakers urge him to shed light on Stalin's era, in particular. "Without the information provided in the documents, knowledge of the past is impossible, and without this knowledge, the Russian people will not be able to understand the effects of unconstrained state power. They will not understand why they need a country ruled by law - that economic prosperity and stability is not enough," they tell Brent, repeatedly.
Ultimately, Brent's narrative is more a scholar's memoir than a scholarly history -- and that's just fine. Like any good observer, he spots the little signs of change: On his first visits, he sees that bowls of fresh violets are left as a tribute at the feet of a painting of Lenin at the archives; these are eventually replaced by plastic flowers - and then the flowers disappear altogether, although the painting remains. Although he devotes a lot of attention to the evolution of Russia's consumer culture, it never feels like overkill and Brent manages to combine that part of his narrative seamlessly with his adventures within the archives themselves. The result? The reader emerges with fresh insight into the way scholarly histories are written - and the reasons why some remain unwritten. He discusses his meetings with former generals whose memoirs Yale may publish (including an encounter with a rare Amazon Blue parrot presented to one of the generals by Fidel Castro), and his meetings with the surviving relatives of literary figures who were purged and executed by Stalin (or who, like Georgi Dimitrov, died mysteriously while in Stalin's control). He repeatedly tries to gain access to something called "the Kutuzov file", which would reveal the fate of Swedish diplomat Raoul Wallenberg, who disappeared from Budapest into the Lubyanka during the final days of World War II, only to be told, ominously that no one will ever know the truth of Wallenberg's fate. He even gets to study Stalin's personal library - a vast array of books of political philosophy of all kinds, heavily read, annotated, underlined; all offering clues to the way this "small pockmarked son of an illiterate shoemaker" who became the Soviet "vozhd" or supreme leader, formulated his own political thoughts and actions.
However intriguing Brent's narrative is - and for any history buff with an interest in Russia, it's pretty much impossible to put down - there are several flaws. Some are quite basic; Brent's purpose is to compile and commission works for Yale's "Annals of Communism" series. But we hear few details of what is eventually published and few details of how they may have changed historians' views of the Soviet Union. (Indeed, there isn't even a bibliography detailing those works; that and an index would be immensely helpful to readers.) While his Russian archivists make the impossibility of publishing any kind of authoritative history of the period - "to offer a unified interpretation of the Soviet period meant, first, that you wished to know the truth, and second, that you wished to tell it" - I, for one, lamented the lack of anything more than a passing reflection by Brent on what was published (not just his thoughts on documents he encounters.)
Brent is alert to the parallels between the totalitarianism of Stalin and the less oppressive authoritarian regime in Russia today. (He notes, for instance, that just as Stalin once wanted to be informed of his Politburo's preference in toothbrush brands and whether they selected red or white telephones in their offices, commenting that "all these nothings became something over time", so the former Soviet officials he encounters are aware of the oddest details of his life, from the hotel he is staying at and the date of his arrival, to the birth of his infant daughter.) At the same time, he doesn't address whether or not publication of the archive's contents within Russia did, as he and some of his Russian colleagues hoped, transform the public debate about the nature of the state and its relationship to the people it governs. In light of the frequency and urgency with which the question is raised, that lack is particularly apparent.
Still, the glimpses into the world that Stalin inhabited (he had, for instance, an unexpected affinity for Ivan the Terrible) are fascinating, as are those into the worlds of those Stalin persecuted. For that, and for the rare look at what is involved in producing scholarly historical work, I rate this four stars. For more insight into the Stalinist era itself, one of the newest books out on the lives of ordinary Russians is The Whisperers: Private Life in Stalin's Russia, while Simon Sebag Montefiore has published two authoritative volumes on Stalin himself, including Stalin: The Court of the Red Tsar. One definitive work on the Great Terror is by Robert ConquestThe Great Terror: A Reassessment. For those who are curious about the evolution of today's Russia, I'd recommend Sale of the Century: The Inside Story of the Second Russian Revolution for insight into the havoc wreaked by the oligarchs and Putin's Russia: Life in a Failing Democracy for a polemical but riveting view of what has happened since 1998.
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